Knitting ラウンジチェア[張地:レザー]

Knitting ラウンジチェア[張地:レザー]

Designer Ib Kofod-Larsen

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Product image not found

Knitting ラウンジチェア[張地:レザー]

Knitting ラウンジチェア[張地:レザー]

Designer Ib Kofod-Larsen

Knitting [ニッティング]ラウンジチェアは、1951年にIb Kofod-Larsen(イブ・コフォード=ラーセン)によって限定版として初めて発表されました。そして、「Modernism Reimagined(再解釈されたモダニズム)」というAudoのコンセプトのもと、現代のデンマークデザインの世界に華々しく復活しました。このチェアは、Audoによるクラシック家具への初の試みでもあります。 絶妙なプロポーションと比類のない品質を備えたこのチェアは、現代のインテリアに自然に溶け込む一脚です。その遊び心あふれるデザインは、細部への配慮が行き届いていることを際立たせます。「Knitting(編み物)」という名前は、編み物や読書中にも快適に肘を置けるカットアウトデザインに由来しており、名匠が手がけた作品であることを明確に物語っています。

仕上 / 張地オプション

Selected: ダーク・ステイン・オーク | Dakar 0311

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SKU 9680004-020600ZZ

材質

フレーム:オーク材(無垢、ワックスオイル仕上)、座面&背もたれ: 合板、フォーム.


お手入れ方法とクリーニングについて
自然素材のレザーは、適切なお手入れが必要です。正しい方法でケアをすることで、時とともにさらに美しい風合いが生まれます。以下のポイントを参考にしてください:
・清掃が必要になった場合は、月に1~2回、柔らかいブラシ付きの掃除機を使ってほこりを取り除いてください。
・年に1~2回、フレーク状の石鹸(固形石鹸を削って作られたもの)をぬるま湯で泡立てた泡を使い、クリーニングを行います。泡を乾いた柔らかい布で革に塗布し、水との接触を最小限に抑えてください。
・固形石鹸、サドルソープ、革用クリーナー、家庭用洗剤や化学製品の使用は避けてください。
・直射日光、過度な熱、鋭利な物体から保護してください。

サイズ

H: 90,6 cm, W: 71,3 cm, D: 66,9 cm, SH: 30 cm
Weight: 11 kg
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デザイナーについて

Ib Kofod-Larsen

Architect Ib Kofod-Larsen (1921-2003) had a successful career in the 1950s and 1960s when Danish design was flourishing across the world. A large part of his vast furniture catalogue was designed for the non-Danish market and manufactured abroad. He worked especially for American, Swedish, British and German furniture companies and manufacturers, and this may be the reason that his furniture has undeservedly become better known internationally than in his home country of Denmark. Ib Kofod-Larsen formed part of a movement known as Danish Modern, but he went slightly under the radar and worked in the shadow of Kaare Klint, Hans J. Wegner, Børge Mogensen, Arne Jacobsen, Finn Juhl and Nanna Ditzel. Today he is called one of the most underrated – but most exciting – names on the Danish design scene. And one of the greatest design brains Denmark ever had. “His furniture is sophisticated and well-proportioned with beautiful silhouettes and sculptural, organic lines and curves.” Although he himself felt like an artisan – and he had no academic approach to furniture design – there is something poetic and artistic about his designs. The soft lines. The visual lightness. The graphic purity. The free, artistic expression. He was a purist. A man of detail. At first glance, his furniture may seem simple, but at closer inspection it is full of detail. It is inventive and borders on engineering. He drew, sculpted, made prototypes, was involved in production and participated in the entire process down to every test and launch. He was a creative designer, maybe one of the greatest designers in the golden age of Danish design. He took an innovative approach. Not just to furniture, but to ways of thinking about furniture. First and foremost, he had an exceptional understanding of materials and an eye for the potential of the wood and the quality of the raw materials he used. He often worked in different types of wood – mainly teak and palisander in combination with real leather. To Kofod-Larsen, the most important thing was that the furniture should feel good. To the touch and when sitting in it. With all his chairs, The Penguin, The Seal and the Elizabeth Lounge Chair, his focus was on the person who was going to be sitting in them.