Knitting Lounge Chair, Leather

Knitting Lounge Chair, Leather

Designer Ib Kofod-Larsen

Knitting Lounge Chair, Leather

Knitting Lounge Chair, Leather

Designer Ib Kofod-Larsen

1951年に限定モデルとして発表されたIb Kofod-LarsenのKnitting Chairが、Audoのコンセプト「Modernism Reimagined」のもと、モダン・デンマーク・デザインの世界に凱旋。同ブランドがクラシック家具に進出するのはこれが初めて。このチェアのプロポーションセンスと比類なき品質は、現代のインテリアに取り入れるのに自然な選択です。ニッティング・チェアの遊び心は、その考え抜かれたデザインを際立たせている。編み物(または読書)をするときに最高の座り心地を実現する肘のカットアウトから名付けられたこのチェアは、明らかに熟練したデザイナーの作品です。

終了

Selected: ダークステインオーク |ダカール 0311

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SKU 9680004-020600ZZ

材質

フレーム: ワックスオイル仕上げオーク無垢材
座面と背もたれ: 合板、フォーム
お手入れとクリーニング:

天然素材である革はお手入れが必要です。革は正しい方法でお手入れをすれば、時間が経つにつれてさらに美しく変化します。いくつかのヒントを次に示します。 時間が経つにつれ、掃除が必要になった場合は、月に 1 ~ 2 回掃除機をかけて、柔らかいブラシでほこりを取り除きます。年に 1 ~ 2 回、温水でかき混ぜたフレーク石鹸の泡を使って徹底的に掃除してください。乾いた柔らかい布でフォームを塗り、水との接触を最小限に抑えます。固形石鹸、サドルソープ、革用クリーナー、家庭用洗剤、化学製品は避けてください。直射日光、過度の熱、鋭利なものから保護してください。

サイズ

高さ: 90,6 cm、幅: 71,3 cm、奥行き: 66,9 cm、幅: 30 cm
重量: 11kg
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デザイナーについて

Ib Kofod-Larsen

Architect Ib Kofod-Larsen (1921-2003) had a successful career in the 1950s and 1960s when Danish design was flourishing across the world. A large part of his vast furniture catalogue was designed for the non-Danish market and manufactured abroad. He worked especially for American, Swedish, British and German furniture companies and manufacturers, and this may be the reason that his furniture has undeservedly become better known internationally than in his home country of Denmark. Ib Kofod-Larsen formed part of a movement known as Danish Modern, but he went slightly under the radar and worked in the shadow of Kaare Klint, Hans J. Wegner, Børge Mogensen, Arne Jacobsen, Finn Juhl and Nanna Ditzel. Today he is called one of the most underrated – but most exciting – names on the Danish design scene. And one of the greatest design brains Denmark ever had. “His furniture is sophisticated and well-proportioned with beautiful silhouettes and sculptural, organic lines and curves.” Although he himself felt like an artisan – and he had no academic approach to furniture design – there is something poetic and artistic about his designs. The soft lines. The visual lightness. The graphic purity. The free, artistic expression. He was a purist. A man of detail. At first glance, his furniture may seem simple, but at closer inspection it is full of detail. It is inventive and borders on engineering. He drew, sculpted, made prototypes, was involved in production and participated in the entire process down to every test and launch. He was a creative designer, maybe one of the greatest designers in the golden age of Danish design. He took an innovative approach. Not just to furniture, but to ways of thinking about furniture. First and foremost, he had an exceptional understanding of materials and an eye for the potential of the wood and the quality of the raw materials he used. He often worked in different types of wood – mainly teak and palisander in combination with real leather. To Kofod-Larsen, the most important thing was that the furniture should feel good. To the touch and when sitting in it. With all his chairs, The Penguin, The Seal and the Elizabeth Lounge Chair, his focus was on the person who was going to be sitting in them.