Tearoom ラウンジ・チェア[ハイバック]

Tearoom ラウンジ・チェア[ハイバック]

Designer Nick Ross

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Product image not found

Tearoom ラウンジ・チェア[ハイバック]

Tearoom ラウンジ・チェア[ハイバック]

Designer Nick Ross

Tearoom ラウンジ・チェア[ハイバック]は、Tearoom コレクションの洗練されたシルエットを生み出す中で、デザイナーNick Ross[ニック・ロス]が一つひとつのデザインに気分を高める快適性を丁寧に込めました。ハイバック仕様のTearoom ラウンジ・チェアは、その前身のシルエットを拡張することで、外界からの避難所のような存在感を提供します。体のラインに沿った曲線を描く彫刻的なデザインは、シンプルで幾何学的な形状が持つ可能性を示しています。総張り仕上げの贅沢な質感と洗練されたシルエットが、見た目の美しさだけでなく、触れる喜びをもたらします。広く低めの座面は、クラシックな空間からモダンな空間まで、ホテル、クラブ、ラウンジ、ワークスペースなど、さまざまな環境に適しています。また、ベース部分にはUSB-Cポートと電源コンセントが追加されており、リラックスにも作業にも適した実用的なデザインです。

オプション

Selected: 電源コンセントなし

張地オプション

Selected: Audo Bouclé 02

contact us

SKU 9606000-000000ZZ

材質

合板、HR フォーム構造、ウェビング/ベルト、
フォームフレックスと室内装飾品

サイズ

高さ: 122cm
幅:89cm
奥行き:71cm
SH:44cm
コードの長さ: 350cm
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デザイナーについて

Nick Ross

Nick Ross (1986) is a Scottish-Swedish, Stockholm-based designer studied industrial design at Gray’s School of Art in Aberdeen, -and was awarded the Arts & Heritage prize for his graduation project, Stray, in 2008. Later on, he enrolling in fine arts Master’s program in interior architecture and furniture design at Konstfack in Stockholm, in 2013. Immediately after graduating, he began working as an assistant to Swedish designer Matti Klenell until establishing his own self-named, Stockholm-based studio in 2014. Ross is a designer with a penchant for scarce spaces that focus on the use of materials and light in a given expanse. His research centres on the complex repertoire of history, with a particular focus on ancient history, where he finds the factors with which to interpret the relationship between the user and contemporary design. Using storytelling as a pretext and applying a confidently critical approach, Nick is interested in investigating facts and happenings that have determined specific cultural balances. Every project comes from the desire to create ideal or real bridges between the present to that of the past. At first glance, Nick Ross appears to have a great eye for presentation. A closer look reveals a sensitivity to materials that makes bold moves appear delicate. He considers how historical interpretations alter our current perceptions of objects. The main interest lies in how guesswork or cultural ‘curation’ can create situations where we are influenced to think in certain ways and feel certain things.” According to the designer, “My work looks at the role of history and storytelling in how we perceive the world around us, by working with themes such as place, origin, and the role fiction plays in past and present societies.