• ICONS COLLECTION

Icons bring together design that qualify as truly exceptional, created by visionary designers from around the world. Combining recognised masterworks with icons of tomorrow, this unique assortment bridges the past, present and future, presenting a communal point-of-view beyond time, anchored in local craftsmanship and shared aesthetics.

Premium Furniture Masterpieces

Icons a unique collection of premium furniture masterpieces rooted in international design and craft traditions. Spanning generations and continents, exclusive designs from the 1950s to the present day share harmonious proportions and a simple sensibility

工具で木製椅子の脚を彫る作業をする職人の手元 工具で木製椅子の脚を彫る作業をする職人の手元
黒い革クッションの縁をつまむ手元のクローズアップ 黒い革クッションの縁をつまむ手元のクローズアップ
黒い革張りの曲線的なシートと細身の金属脚のロッキングチェア。 黒革シートと細身の黒金属フレームを持つモダンなロッキングチェア

THE PENGUIN

Designer Ib Kofod-Larsen

A mid-century bestseller from the hand of Ib Kofod-Larsen, The Penguin Chair remains as popular today as when it was first introduced in 1953. Light and elegant with its curved wooden and upholstered back and seat, it continues to offer unparalleled sitting comfort thanks to its considered combination of quality craftsmanship and premium materials.

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The Tired Man

The Tired Man was launched at the Copenhagen Cabinetmakers’ Guild Exhibition in 1935 and has since become an icon of Danish design. The epitome of craftsmanship and comfort, the characteristically curved armchair was designed by Flemming Larsen to feel “as warm and snug as a polar bear cub in the arms of its mother.”

ベージュのシープ風ファブリックラウンジチェア ベージュのボア素材、丸みあるハイバックアームチェアの斜め正面画像
ベージュのシープボア張り角丸スツール、背景無地 ベージュのボア生地ラウンドオットマン、低めの金属脚付き
グレー布張りの曲線ソファと木製脚のミニマル空間 グレー布張りチェアと大理石サイドテーブルのクローズアップ

Pagode Sofa

As relevant today as ever thanks to its light, precise design language, the Pagode Sofa features beautifully crafted wooden legs, a low seat with distinctive armrests and a high back to cradle and support the body as it sits.

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Oda Lounge Chair

Originally dubbed Model 9, the Oda Chair was an ambitious design from the very beginning. Created by Arnold Madsen in around 1956, the aesthetic reinterpretation of an armchair has a complex horseshoe construction with an integrated headrest and beautifully incorporated armrests in wood. Offering comfortable support, the embracing design was initially – and mistakenly – attributed to Nanna Ditzel. In 2020 it was rightfully credited to Madsen. Constructed according to a vintage version as there are no drawings of the original design, the Oda Chair profiles a sublime level of craftsmanship, evident in the intricacy of its upholstery.

アーチ壁龕に置かれたベージュの布張りラウンジチェアと花瓶の静謐な室内風景 アーチ壁龕に置かれたベージュの布張りラウンジチェアと花瓶の静謐な室内風景
ベージュ布張りの丸みあるスツールに足を載せた室内風景 ベージュ布張りの丸みあるスツールに足を載せた室内風景
  • RADIOHUS SOFA

    Designer Vilhelm Lauritzen

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ベージュのシアリング素材のハイバックチェアとオットマン ベージュのボア張りハイバックチェアと同素材のオットマン

My Own Chair

ナチュラルオーク材のX字脚ローテーブル、アイボリー背景 オーク材の薄い長方形天板とX字脚のローテーブル

Jäger Lounge Table

ソファに膝を立てて横たわる人物の脚と手のクローズアップ写真 ソファに膝を立てて横たわる人物の脚と手のクローズアップ写真

VILHELM SOFA

Designer Flemming Lassen

A sleek yet sumptuous three-seater sofa designed by Flemming Lassen in 1935, Vilhelm takes its name from the designer’s father and its design cues from the mid-century movement. Reintroduced in 2019 and updated to modern needs, Vilhelm invites relaxation with its gently rounded form and padded upholstery. The back and armrests offer privacy and are expertly detailed with buttons. Strong in terms of craft and presence, it welcomes life with its functional form.