Cairn Pouf

Cairn Pouf

Designer Nick Ross

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Cairn Pouf

Cairn Pouf

Designer Nick Ross

Functional, flexible and fine-looking, the pouf is a versatile interior accessory for a multitude of spaces and uses – as a footrest, side table or extra seat. Cairn Pouf, designed for Audo by Nick Ross, has a gently tapered form that creates an elegant silhouette, making it an ideal accompaniment to our Tearoom and Eave sofas. Offered in two shapes – oval and round – and a range of fabric options, it can be customised to any space.

Size

Selected: Ø60

Color

Selected: Audo Bouclé 02

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SKU 9601000-000000ZZ

Materials

Plywood, HR Foam construction, webbing/belts,
No-sag springs, foam flex and upholstery

Dimensions

Ø60: H: 42 cm, Ø: 60 cm
Oval: H: 42 cm, W: 89 cm, D: 70 cm
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ABOUT THE DESIGNER

Nick Ross

Nick Ross (1986) is a Scottish-Swedish, Stockholm-based designer studied industrial design at Gray’s School of Art in Aberdeen, -and was awarded the Arts & Heritage prize for his graduation project, Stray, in 2008. Later on, he enrolling in fine arts Master’s program in interior architecture and furniture design at Konstfack in Stockholm, in 2013. Immediately after graduating, he began working as an assistant to Swedish designer Matti Klenell until establishing his own self-named, Stockholm-based studio in 2014. Ross is a designer with a penchant for scarce spaces that focus on the use of materials and light in a given expanse. His research centres on the complex repertoire of history, with a particular focus on ancient history, where he finds the factors with which to interpret the relationship between the user and contemporary design. Using storytelling as a pretext and applying a confidently critical approach, Nick is interested in investigating facts and happenings that have determined specific cultural balances. Every project comes from the desire to create ideal or real bridges between the present to that of the past. At first glance, Nick Ross appears to have a great eye for presentation. A closer look reveals a sensitivity to materials that makes bold moves appear delicate. He considers how historical interpretations alter our current perceptions of objects. The main interest lies in how guesswork or cultural ‘curation’ can create situations where we are influenced to think in certain ways and feel certain things.” According to the designer, “My work looks at the role of history and storytelling in how we perceive the world around us, by working with themes such as place, origin, and the role fiction plays in past and present societies.