Tearoom, Lounge Chair, High Back

Tearoom, Lounge Chair, High Back

Designer Nick Ross

Tearoom, Lounge Chair, High Back

Tearoom, Lounge Chair, High Back

Designer Nick Ross

While creating the clean silhouettes of the Tearoom Collection, designer Nick Ross took exceptional care to imbue every inch of each design with mood-lifting comfort. The gently curved lines of the high-backed Tearoom Lounge Chair expand upon the silhouette of its predecessor to create a chair that offers a refuge from the outside world. Contoured to complement the body, the sculptural design demonstrates the potential of simple, geometric forms. The luxurious feel of full upholstery against its clean silhouette is as appealing to the touch as the chair is easy on the eye – its wide, low seat makes it well-suited to both period and contemporary spaces, from exclusive hotels, clubs and lounges to workspaces. The addition of a USB-C port and power socket at the base makes it a practical spot for work as well as play.

Style

Selected: Without power outlet

Color

Selected: Audo Bouclé 02

contact us

SKU 9606000-000000ZZ

Materials

Plywood, HR Foam construction, webbing/belts,
foam flex and upholstery

Dimensions

H: 122 cm
W: 89 cm
D: 71 cm
SH: 44 cm
Cord Length: 350 cm
View full details

ABOUT THE DESIGNER

Nick Ross

Nick Ross (1986) is a Scottish-Swedish, Stockholm-based designer studied industrial design at Gray’s School of Art in Aberdeen, -and was awarded the Arts & Heritage prize for his graduation project, Stray, in 2008. Later on, he enrolling in fine arts Master’s program in interior architecture and furniture design at Konstfack in Stockholm, in 2013. Immediately after graduating, he began working as an assistant to Swedish designer Matti Klenell until establishing his own self-named, Stockholm-based studio in 2014. Ross is a designer with a penchant for scarce spaces that focus on the use of materials and light in a given expanse. His research centres on the complex repertoire of history, with a particular focus on ancient history, where he finds the factors with which to interpret the relationship between the user and contemporary design. Using storytelling as a pretext and applying a confidently critical approach, Nick is interested in investigating facts and happenings that have determined specific cultural balances. Every project comes from the desire to create ideal or real bridges between the present to that of the past. At first glance, Nick Ross appears to have a great eye for presentation. A closer look reveals a sensitivity to materials that makes bold moves appear delicate. He considers how historical interpretations alter our current perceptions of objects. The main interest lies in how guesswork or cultural ‘curation’ can create situations where we are influenced to think in certain ways and feel certain things.” According to the designer, “My work looks at the role of history and storytelling in how we perceive the world around us, by working with themes such as place, origin, and the role fiction plays in past and present societies.